In Egypt, as in many other uprisings, the image became central, the iconography of revolt: the martyrs’ faces, defiant stand-offs, and liberated public spaces. As many noted, this was a televised revolution, but Al-Jazeera is only part of the story. More potent still was the impact of the images to people on the ground, images that spoke of hollow authority and a people seizing control of their destiny.
Certain images linger – or perhaps burn – in the mind longer than others. There is the man telling the camera, as he walks, that he and his family have nothing and that he is ready to give his life. The riot police retreating under a hail of stones, with a young woman and young man at the front, advancing on the disintegrating row of shields and weapons. People at prayer being hosed down by water cannon. The abandoned, burning police truck, rocked on the bridge. Tahrir Square, a sea of people, flags, signs, colours, and defiance. Just some of the images; you may recall others. Read more